INFERNO

Andres Serrano: An American Perspective – Red Brick Art Museum Beijing, China – November 5, 2017 – February 25, 2018

Red Brick Art Museum announces the opening of “Andres Serrano: An American Perspective,” the artist’s first solo show in China. The exhibition was curated by Yan Shijie, with assistance from Sun Wenjie. The exhibition will open on November 4, 2017 and run through February 25, 2018.

The exhibition takes an American perspective, presenting the artist’s most recent Made in China series, as well as key works from his past. Serrano’s calm perspective in describing reality and critical perspective in challenging social taboos provide us with two themes through which we can begin to discuss this controversial artist. The exhibition will present 53 works of photography and video from 16 of his major series. The exhibition will also feature « Piss Christ » (1987), Serrano’s most famous and controversial work, which depicts a crucifix submerged in urine.

Created this summer during the artist’s residency at Red Brick Art Museum, « Made in China » will be shown to the public for the first time at this exhibition. Serrano is Red Brick Art Museum’s first artist in residence and this was the artist’s first trip to China. Through the subject of Chinese marriages, he wanted to reflect the diversity of the “state of China.” He made a public call for recently-married couples, single men and women, and divorced people of different ages and social backgrounds who participated in a work on Chinese marriage. The participants wore formal attire and appeared in dramatic pictures, which explore marriage, love, relationships, and the deficiencies in these concepts and institutions. Made in China is Serrano’s most recent work, echoing « Budapest » (1994), « America » (2001), and « Cuba » (2012).

A portrait of current U.S. president Donald Trump, shot in 2004, is just one of the works included in Serrano’s America series, which will be shown to Chinese audiences for the first time. Serrano began work on America after 9/11, taking portraits of 115 Americans, including firemen that went through 9/11, the descendants of American indigenous peoples, and a pimp. As often happens in Serrano’s work, America presents larger themes through symbolic individuals, exploring identity and cultural diversity.

Also presented at this exhibition, his series Objects of Desire (1992) is a series of close-up photographs of guns, simultaneously images of violent weapons, cool refinement, or intense danger, which reflect on the social issue of gun ownership and collecting. « Torture » (2015) presents still-life images of Medieval instruments of torture and the hooded men, which focuses the viewer on people who were oppressed or ostracized during that time. In Immersions (1987-1990) and ‘Bodily Fluids » (1987-1990), provocative substances such as urine, milk, blood, and semen are presented in formalist, dreamy images.

Andres Serrano: Li Meixuan (Made in China), 2017, Pigment print back mounted on Dibond, wooden frame, – 165,1 x 139,7 cm (65 x 55 in.), Edition of 3 + 2 EA